BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Brookfield Place New York | BFPL - ECPv5.16.3.1//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-WR-CALNAME:Brookfield Place New York | BFPL X-ORIGINAL-URL:https://bfplny.com X-WR-CALDESC:Events for Brookfield Place New York | BFPL BEGIN:VTIMEZONE TZID:America/New_York BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20220313T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20221106T060000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID=America/New_York:20220813T040800 DTEND;TZID=America/New_York:20220813T163100 DTSTAMP:20250524T072929 CREATED:20220706T173027Z LAST-MODIFIED:20220805T133617Z UID:28156-1660363680-1660408260@bfplny.com SUMMARY:36.5 / A Durational Performance with the Sea Community Day DESCRIPTION:Join us for a day of film screenings of Sarah Cameron Sunde’s durational performances along with community crafts and participatory walks centered around the video artworks\, drawing awareness to water\, time and rising sea levels. Full schedule is below. \nPictured above: 36.5 / Bay of All Saints\, Salvador Brazil. \nFILM SCREENINGS: \nOn Saturday\, August 13 two video works\, 36.5 / Te Manukanukatanga ō Hoturoa\, Aotearoa-New Zealand and 36.5 / Bay of All Saints\, Salvador\, Brazil\, will play simultaneously in a four-channel installation outside on the waterfront from 8:08 AM – 8:31 PM\, a duration that relates to the timing and length of the full tidal cycle in Aotearoa on May 16\, 2022\, the day that work was created.\n \nEach video work is part of the series\, 36.5 / A Durational Performance with the Sea\, in which the artist created nine site-specific performances and video artworks that engage the public in conversations about deep time and sea-level rise. \nFor the project\, Sarah Cameron Sunde stands in a tidal bay for the full tidal cycle (12-13 hours) as water engulfs her body and then reveals it again. She partners with local organizations and invites the public to participate by standing in the water with her and by marking each passing hour from the shore. These works have been created with hundreds of people in communities around the world: Maine\, Mexico\, San Francisco\, the Netherlands\, Bangladesh\, Brazil\, Kenya\, and Aotearoa-New Zealand. \nGUIDED ACTIVITIES: \nCommunity Craft: Denim Seascape Creation\n10:00 AM – 1:00 PM and 3:00 – 6:00 PM\nThis activity is accessible for participants of all ages. \nUsing eco-responsible art practices and inspired by Sunde’s durational performances in Aotearoa and Brazil\, members of the community are invited to collaborate on an evolving on-site installation that speaks to our relationship with the sea\, locally and globally. \nThe activity will be led by René Stewart-Pearce / MARZ ÁNAY\, and mixed media visual artist Pamella Allen\, using recycled/repurposed denim and cotton fabric. The community-created\, resulting oceanic landscape will also serve as audience seating for the culmination of the 36.5 series\, 36.5 / New York Estuary\, which will be livestreamed at Brookfield Place on Wednesday\, September 14th. \nParticipatory Walk: 36.5 “Human Clock”\nGather at the screens at 10:00 AM\, 4:00 PM and 8:00 PM\n \nThroughout the tidal cycle\, Sunde will mark the passing of each hour with regular trips to the water’s edge. The public is invited to join the “human clock” walks during high-tide (10:08am)\, low-tide (4:08pm)\, and sunset/end of the cycle (8:08pm). \nAbout the Human Clock: While planning 36.5 / San Francisco Bay\, Sarah brought in movement and media artist Sasha Petrenko and together they created a physical vocabulary to mark the passing of the hours — which is now used and modified in all subsequent 36.5 works. Based on nautical hand signals\, the 6 minute phrase is performed on the hour for the duration of Sunde’s performance. The public is invited to learn the phrase\, thus providing space for them to communicate the time somatically through a collective act of presence. \nCOMPLETE SCHEDULE OF EVENTS: \n8:08 AM – 8:31 PM\nScreening of 36.5 / Te Manukanukatanga ō Hoturoa\, Aotearoa-New Zealand and 36.5 / Bay of All Saints\, Salvador\, Brazil. \n10:08 AM\nParticipatory Walk: 36.5 “Human Clock”*Gather at the screens at 10:00 AM \n10:00 AM – 1:00 PM\nCommunity Craft: Denim Seascape Creation \n3:00 – 6:00 PM\nCommunity Craft: Denim Seascape Creation \n4:08 PM\nParticipatory Walk: 36.5 “Human Clock”*Gather at the screens at 4:00 PM \n8:08 PM\nParticipatory Walk: 36.5 “Human Clock”*Gather at the screens at 8:00 PM \nSCREENING CREDITS: \n36.5 / Te Manukanukatanga ō Hoturoa\, Aotearoa-New Zealand \n2020-2022 \nLive participatory performance + HD durational video artwork with sound \n12 hours\, 23 minutes\, 8th work in the series \nCollaborators: Te Uru Waitākere Contemporary Gallery\, Auckland University of Technology\, Nettie Normal\, Amiria Puia-Taylor\, Kingi Peterson\, Diane Blomfield\, Mairi Gunn and Fergus Milner (video)\, HIWA and Joshua Dumas (music). \nIn Aotearoa\, Sunde’s Māori collaborators\, Amiria and Kingi\, stood with her for the full tidal cycle as guides to this body of water\, which has been neglected by the government. Nettie led HIWA in kapa haka performances to mark the passing of each hour culminating in a haka powhiri to bring us home at the end. \n36.5 / Bay of All Saints\, Salvador\, Brazil\n \n2019 \nLive participatory performance + HD Durational video artwork with sound \n12 hours\, 16 minutes\, 6th work in the series \nCollaborators: Solar do Unhão Community\, MUSAS\, Museu de Arte Moderna Bahía (MAM) and Adriana Campelo\, Chief Resilience Officer for the City of Salvador\, Clara Domingas\, Pretxs de Rua (Black Poets of the Street)\, Cristiano Gobbi\, Babette Pendleton\, Vinicius de Jesus Sapucaia\, Paulo Barbosa\, Guilherme Burgos (video)\, and Joshua Dumas (music) \nIn Brazil\, Sunde collaborated closely with artist-anthropologist Clara Domingas whose ancestors are Indigneous to the area and the group Pretxs de Rua (Black Poets of the Street) who performed the poetry of resistance every hour\, considering the parallels between the struggle to survive on a daily basis and the struggles for humanity to survive in the face of the climate crisis. \nThe ninth and final work in the 36.5 series will premiere on September 14\, 2022 in Lenapehoking (Queens\, New York.) \nMore details on the September 14th event can be found here. \nSARAH CAMERON SUNDE is an interdisciplinary artist and director working at the intersection of performance\, video\, and public art\, investigating scale and duration in relationship to the human body\, the environment\, and deep time. She was recently awarded a Guggenheim Fellowship to complete her ongoing series\, 36.5 / A Durational Performance with the Sea (2013 – present). Other honors include two MAP Fund Grants\, Watermill Center Residency\, Baryshnikov Residency\, Princess Grace Award\, and ongoing support from Invoking the Pause. Solo exhibitions include The Georgia Museum of Art (Athens\, GA)\, NYU Gallatin Galleries (New York\, NY)\, Oude Kerk (Amsterdam)\, and Te Uru Waitākere Contemporary Gallery (Tamaki Makaurau-Auckland). She holds a B.A. in Theater from UCLA and an M.F.A. in Digital and Interdisciplinary Art Practice from The City College of New York\, CUNY. URL:https://bfplny.com/sarahcameronsunde/ LOCATION:Waterfront Plaza CATEGORIES:Family,Performing Arts,Waterfront ATTACH;FMTTYPE=image/jpeg:https://bfplny.com/wp-content/uploads/2022/07/01_Sunde_36.5_BayofAllSaints_PRIMARY_LowTide-1_WEBSIZE.jpg END:VEVENT END:VCALENDAR